2024.8.3 佐藤久成 ヴァイオリンリサイタル

2024.8.3 Hisanari Sato Violin Recital

2024.12.27

Saturday, August 3, 2024
Doors open: 13:30 / Show starts: 14:00 (scheduled end time 16:00)

venue

Salon Le Damier at Karuizawa Ando Museum of Art

program
Nardini: Violin Sonata in D major Godard: Concerto Romantique in A minor Op.35
Smetana: "From My Homeland"
Grieg: Violin Sonata No. 3 in C minor, Op.45
Other famous violin pieces
Artist
  • Violin: Hisaya Sato
  • Piano: Rentaro Daidoji

Artist Profile

Hisaya Sato, Violin
After graduating from Tokyo University of the Arts, he went to Europe. As a ROHM MF scholarship recipient and special scholarship recipient, he studied at the Saarland University of Music, the Brussels Conservatory, the Stauffer Conservatory, and the Berlin University of the Arts. He received the Japan Federation of Musicians Award. He won and received prizes at international competitions such as the Ricci, Lugano, Luis Sigal, Belgrade, and Viotti. In 1994, he made his European debut as a soloist at the Berlin Symphony Orchestra's regular performance. He has performed with the Berlin Symphony Orchestra, the Belgrade Philharmonic, the Romanian National Symphony Orchestra, the Berlin Chamber Orchestra, and the Santiago Symphony Orchestra. He has appeared as a soloist on German public broadcasting, Radio France, Italian broadcasting, and NHK. He has also performed in various parts of Germany with a piano trio, and has toured Asia, the Middle East, Oceania, and the United States, making his performance activities broader than just solo performances. As his life's work, he has collected tens of thousands of unknown, out-of-print scores from around the world, and is actively involved in unearthing unknown composers and forgotten works, introducing, premiering, and recording them. In 2002, he gave his debut recital at Casals Hall, and has since held recitals in Tokyo every year. His concerts have been selected as one of the "Top Ten Concerts of the Year" by the magazine Ongaku no Tomo. She has released CDs including Weingartner's sonatas and Akira Ifukube's concertos, and is also active in writing for various media and books. She released CDs such as "Lament of Sorrow" and "Tristan and Isolde" in 2010, "The Ring of the Nibelung" and "Ode Erotic" in 2012, "Violin of the Devil" in 2013, "Evocation" in 2014, "Violin of the Devil II" in 2015, "Legend of the Magic Bow" in 2016, and "Violin of Temptation: Mozart Sonatas" in 2018. Many of her CDs have been selected as "Special Selections" by Record Geijutsu magazine. She has received high praise from various magazines and newspapers. Her unique activities were featured in the culture column of the morning edition of the Nihon Keizai Shimbun under the headline "Reviving Buried Masterpieces," which caused a great stir, and she was selected in both the overall ranking and the active ranking of the Sankei Shimbun Mostly Classics magazine's "Latest Ranking! World's Greatest Violinists." In 2015, she performed with the Osaka Philharmonic Orchestra and the Sendai Philharmonic Orchestra, and released a live CD of Tchaikovsky's Violin Concerto. In 2016, she performed with the Gunma Symphony Orchestra at a regular concert. In 2018, she held a recital at the Suntory Hall. In 2023, she is scheduled to hold recitals at the Tokyo Bunka Kaikan Small Hall on May 5th and November 9th.
Official website: http://hisayasato.com/
Rentaro Daidoji, Piano
After graduating from the Tokyo University of the Arts High School and Tokyo University of the Arts, he completed his master's degree at the university. He studied under the late Yasukawa Kazuko, Hata Haruhi, and Watanabe Kenji. He is currently a regular member of the Piano Teachers Association of Japan (PTNA), a specialist member of the International Arts Federation, and a part-time lecturer at Saitama Prefectural Omiya Koryo High School Music Department and Shobi Music College Music Academy Department. He has held 11 recitals, 8 concerts with his siblings, and 30 request concerts in his hometown and in Tokyo. He is also actively involved in chamber music, contemporary music, and orchestral collaborations. In 2010, 2013, and 2019, he released a duet CD with his younger brother, "Let's Play Piano Duo" Vol. 1 to Vol. 3. Vol. 3 was selected as a semi-special selection in the April 2020 issue of Record Geijutsu. In 2022, he released a solo CD, "The Joy of Home Concerts." The album will be featured as a semi-recommended album in the August 2022 issue of Record Geijutsu. He has been holding home concerts since April 2018. The 425th concert will be held in June 2024, and he is also active in volunteer activities in the local community.

Event Outline

Date and time
Doors open: 13:30 / Show starts: 14:00 (scheduled end time 16:00)
venue Salon Le Damier at Karuizawa Ando Museum of Art
Ticket prices
  • Flat rate: 5,500 yen*

*For guests attending the recital who would like to visit the museum at the same time
If you provide your name as the ticket purchaser at the reception on the day, you will receive a 10% discount on museum tickets (on the day).

Discount price: 2,070 yen (tax included)
The last entry to the museum is at 4.30pm. We recommend you visit the museum before the concert starts.

  • [How to apply for tickets]
  • ・Pre-order (electronic ticket) on the event page
    Ticket purchase site on the museum's homepage ( https://ticket.musee-ando.com/ ) for purchase.
  • ・Reservations can be made by phone (0267-42-1230 *excluding closed days) or email ( info@musee-ando.com ), then purchased at the ticket counter on the day (same-day tickets)
Notes
  • [Request to visitors]
  • ・Please note that tickets cannot be cancelled.
  • ・The recital will be held in the salon of the museum. In order to protect the artworks, please refrain from bringing in flowers or other plants.
  • ・If you have a fever or cold symptoms, please refrain from visiting.
  • - Please refrain from any behavior that may disrupt the performance or make loud noises that may disturb other customers.
  • ・There is no parking lot at Karuizawa Ando Museum of Art.
    If you are coming by car, please use the town parking lot on the south side of the main building. Please use the nearby paid parking lots, such as
    However, there is a possibility that nearby paid parking lots may be full, so we recommend using public transportation.